[Photo] Looking for a reason to buy an iPhone?

iphone3g

Just in case you’ve been living under a rock or just returned from an extended vacation on say, Pluto, and missed it…this Friday is the big day: the release of iPhone 3G.

Are you a photographer looking for a reason to covet the new iPhone, or justify the purchase of the one you are already coveting? The Apple Matters website can help! Check out their convincing article 10 Ways Professional Photographers Can Use The iPhone and get ready to race to the nearest Apple Store and hand over your credit card to the first Genius you lay eyes on.

[Poll Results] How Many Pictures Do You Take In A Month?

A new poll has been posted in the sidebar about whether Creating Keepsakes needs to change their contest names, so here’s the results from the previous one:

How many pictures do you take in a month? (38 votes)

0-50: 26.3%

50-100: 23.7%

100-200: 18.4%

200+: 31.6%

It looks like Scrapbook Update readers are a snappy bunch!

Why Shooting In Automatic Can Be Useful

“Real” photographers sometimes look down on shooting in automatic mode as the crutch of the untrained. But it can be useful even to experienced shooters. In case you missed it a while back on Digital Photography School, here’s 4 Reasons Not To Write Off Shooting In Automatic.

Organizing: Photos and Negatives

We may not always think of them as “scrapbook stuff”, but most of the time photos are the very foundation of our pages. And since I was a serious photographer long before I was a serious scrapper, those foundations take up a large amount of storage space in my scrap area! A while back I decided to tackle the multitude of boxes and come up with a system that worked for me for protecting and also working with my thousands of pictures.

Several concerns had to be addressed in developing my system. Of course, it had to fit into my available storage space. Also, it had to be easily expandable as I take more pictures constantly. It had to be easy to maintain. And lastly, I wanted to protect my negatives, make them easily accessible for reprints and enlargements, and also portable as a collection.

That last criteria, portability as a collection, may seem a bit odd until you realize where I live. Because I live in an area (Florida) that is prone to both hurricanes and wildfires, it is not unusual for homeowners to have to evacuate their homes for safety, unsure of whether the structure will still be there when they return. Seven years ago (before we moved here), virtually this entire neighborhood burned to the ground in a wildfire that was so hot it actually burned the tar on I-95 and jumped the freeway that way. As the fire spread and changed directions, sheriff’s deputies banged on doors, giving families literally minutes to escape their homes ahead of the flames. Anything that couldn’t be grabbed in moments was destroyed. And with the threat of hurricanes in Florida as well, as we saw last year, we may have to evacuate our home not knowing what condition it will be in when we are able to return. Minor roof damage in the wrong place could leave the contents of our home soaking wet even if the home itself is otherwise largely undamaged. In situations such as these it is comforting to know that I can quickly and easily grab all of my negatives and take them with me for safekeeping.

The system that I developed works with just a few components, which are fairly inexpensive and easily obtained. The first element, for the photos themselves, are simple photo boxes. I file photos in them chronologically, except for a separate file for all our Disney trips (we live near the parks and I scrap extensively on that topic) and a file for “Mommy’s Scrapbook Events” pictures. And even those separate boxes are also filed chronologically. When I am done scrapping a page and have good quality prints left over that might be useful on other projects, I file them chronologically in a separate “extra prints” box. The boxes are all labeled on the front of them what time frame or topic they contain (most contain a specific year or years) so I can easily identify the box I need when in search of a photo. I just buy photo boxes I like when I need them.

The negatives are filed in three-ring binders from an office supply store, on a shelf in my scraproom. The binders contain archival negative sheet protectors by PrintFile that will hold an entire 24 exposure role of film in a regular binder page. At about $.20 a sheet (less than a cost of a single print), they are a very affordable way to store negatives. I store my index prints along with the negatives in photo sleeve sheets with three pockets, three index prints and then three negative sheets. I write the dates of the photos on the backs of the index print with a Sakura Identipen and use a Stabilo pencil to write those dates on the top of the negative sheet protector. This way all of my negatives are organized and together, easy to locate quickly and easy to take with me from my home in event of an emergency.

negative-notebook

I have been using a variation on this system on my computer as well for my limited amount of digital photo files. I have a folder for each year with sub-folders for each month. These files are backed up on several computers in our home for safekeeping and one of these is a laptop machine for portability.

It may not be fancy, or 100% archival, but my system is affordable, simple and sufficient for my needs. And that’s about as good as it can get, isn’t it?


A Confession….

Those of you who have followed my blog probably looked at my last entry and thought “Film? Why is she writing about film? Didn’t she say she was going digital?” Well, some time has passed since I wrote my entry extolling the wonders of digital and I’ve had time to reconsider. And now, I have a confession to make….I am a digital defector.

Yes, that’s right, after much consideration I have gone back to film as my primary photographic medium. Why, you ask, when I wrote a entry detailing all the advantages of digital for scrapbooking, archival, and budgetary reasons? Well, the reasons are several….

The first was quality. I simply could not get decent quality pictures in low-light situations out of my digital camera, even with flash. Research tells me this isn’t limited to just my somewhat outdated camera, that this is an inherent problem with digital cameras and can only be improved (but not completely solved) by going with a digital SLR with a very hefty pricetag and the accompanying complexities of use and portability. The second quality issue was with color. I simply wasn’t happy with the color quality I was getting out of my digital photos and again, my research tells me that is another problem with digital that can only be solved with a high-end digital SLR and editing software. By contrast, with film I can get the quality that I want out of a high-end but relatively inexpensive, easy-to-tote-around pocket point-and-shoot camera. And while it is true that I will have some expenses with the cheaper film camera that I would not have with the expensive digital ones, I would have to pay for a lot of rolls of film and processing before I would begin to make up the cost difference!

I also like the convenience of having prints on hand from processed film so that when I sit down to scrapbook I can just pull from what I already have instead of having to decide what I want printed, go to the photo lab, wait for the prints, go back and pick them up, and then finally being able to scrapbook. I know you can get prints from digital as you go but that actually requires more work than just getting film processed. You have to go through the files, decide which ones are trash and delete them, fix any major problems like red-eye or bad exposure (and it seemed that I had to do a lot of that fixing to my pictures to get them to the quality of my film prints) and then load them onto a media to take to the photo lab. All of that work for the “convenience” of having prints on hand doesn’t seem too convenient to me.

Another issue that made me finally decide to stay with film for awhile longer was storage and archival concerns. My laptop computer simply doesn’t have hard drive space to handle my managing (let alone storing) large graphics files of the type created by the high-end digital camera that I would need to get the level of quality I desire from my photos. I also don’t have a cd burner on the machine. That means transferring the files to another machine to work with them and back them up, or replacing my laptop. Neither of those are practical options at the moment. And I am concerned about the long-term maintenance of digital files. While it may be possible to do so, there is a lot of effort that must be put in to create back-ups and bring the files up to date on new media. I will have no such concerns with my film and negatives. They can be safely stored with relatively little effort. And I came to another realization…

I decided not to be too concerned about preserving my negatives or original files for future generations. I reached this conclusion for several reasons. First, how many of us are doing anything with old photos where we wish we had the negatives? It just seems a lot of effort to put in on the slim chance that 50 years from now someone might want to reprint something. The second factor was that scanner technology is improving so rapidly that 50 years from now my grandkids won’t need the negatives or files to create an excellent copy as long as they have a print to work with! So I am doing what will work for me now and in the immediate future with archiving my original photo sources and not worrying too much about “future generations.”

Even though I have decided to remain with film for the time being, that doesn’t mean I am totally shut out of the digital photo world. I can still straddle the technological line between film and digital when I  wish to do so with the help of my photo lab, who can put my pictures on cd for me either at the time of a roll’s original processing or later if I decide I need that service after the fact. So in a way, I can have the best of both worlds. I can use a point-and-shoot pocket camera, get the color and low-light quality  I want, and still have the ability to email pictures or edit them digitally.

Call me a dinosaur but I think I’m going to go back to doing it the old-fashioned way for awhile.